After a year-long hiatus, PROJECT GANYMEDE comes back with a powerful new lineup and an even more cosmically refueled sound. First stop: The 5th Backdoor Ventures Arts & Music Festival...
PROJECT GANYMEDE’s music is a heady fusion of traditional, classical, organic, electronic, ambient, ethnic, and ethereal elements. The convergence of light and darkness, creating a distinct sound that represents genres across time and space. The group is a powerful assemblage of artists in their own fields; with poet, mentor, and performance artist Yanna Verbo Acosta standing as the fiery frontwoman. Their major influences - Sarah Brightman, Anggun, Ojos de Brujo, Delerium, and Enigma, among others - resonate in their own materials. Indeed, a global musical brew certified to take the audience to a higher plane.
Their past performances are at various major events such as the 2008 Urian Awards at the CCP;
Fete de la Musique 2008 at the Mall of Asia; Artists Fair Pilipinas Year 3 in Eastwood City; Chromatext Reloaded 2007at the CCP to name a few.
They also perform at venues around the metro. Catch them live at Mag:Net Bonifacio Highstreet, Mag:Net Katipuna, Penguin Gallery Café, 70's Bistro, Market! Market!, and The Podium among others.
PROJECT GANYMEDE will be performing on Feb 7, 2010 at 5:00pm…Watch out for their hard-kicking collaboration with the Kink King of funk-rock erotique, ELECTROMOMMA's frontman Niño Barrios! The 5th BACKDOOR VENTURES ARTS & MUSIC FESTIVAL is on Feb 5 -7, 2010 at the Megatrade Hall 2, SM Megamall.
PROJECT GANYMEDE MEMBERS:
Yanna Verbo Acosta – vocals, chants, 2nd violin, devil's chimes
Mark Villanueva – 1st violin
Noli Aurillo – guitars
Bryan Mendoza/RJ Sy – bass
Pepoy Songco – drums
Blend:er – electronic , synths
David Esteban – lead percussions
visit their site
www.projectganymede.multiply.com
Monday, January 18, 2010
JECK PILPIL & PEACEPIPE @ the 5th Backdoor Ventures ARTS & MUSIC FESTIVAL
Jeck Pilpil just recently recorded his first International Track "One Blood"
which will be released this coming March 2010 in USA, Europe & Africa.
One of Philippines' premier Reggae act has released
2 full length albums (1st album Self titled released 2006, 2nd album
"Mabuhay Revolution"
released 2009) 20 songs ALL original tracks. 4 compositions are Included in
3 compilations album (Island Ridimms, Island Christmas,
Doobie Nights:Jam 88.3) all under Galaxy Records Philippines.
The band formed in 2002 playing reggae music in bars & festivals,
2004 the band is included in "Island Riddims" (Reggae Compilation
Album under Galaxy Records)
2 Original compositions "Drop Your Gun" & "Get High With Me" is included.
2005 their composition "Christmas Mabuhay' is included in "Island
Christmas" a Reggae
Christmas Compilation Album under Galaxy Records.
2006 the band released their first self-titled debut album under
Galaxy Records Philippines.
2009 Jeck Pilpil & PeacePipe released their second album entitled
"Mabuhay Revolution"
Jeck Pilpil & PeacePipe just recently played in Singapore Reggae Festival
last Nov. 28, 2009 at Pasir Ris D Tent and will be going to Taiwan on
April for the Island Jam Party.
"Mabuhay Revolution" is included in the "Best of 2009" for the show
"Positve Vibrations" at KDHX.FM Radio Station in USA.
playlist & online stream of the program through this link
http://www.kdhx.org/index.php?option=com_kdhxradio&task=playlist&d...othis=latest&show=Positive+Vibrations&Itemid=268
Zim Carib Radio reviewed and played the whole album "Mabuhay
Revolution" last Dec. 12, 2009
www.zimcaribradio.com
which will be released this coming March 2010 in USA, Europe & Africa.
One of Philippines' premier Reggae act has released
2 full length albums (1st album Self titled released 2006, 2nd album
"Mabuhay Revolution"
released 2009) 20 songs ALL original tracks. 4 compositions are Included in
3 compilations album (Island Ridimms, Island Christmas,
Doobie Nights:Jam 88.3) all under Galaxy Records Philippines.
The band formed in 2002 playing reggae music in bars & festivals,
2004 the band is included in "Island Riddims" (Reggae Compilation
Album under Galaxy Records)
2 Original compositions "Drop Your Gun" & "Get High With Me" is included.
2005 their composition "Christmas Mabuhay' is included in "Island
Christmas" a Reggae
Christmas Compilation Album under Galaxy Records.
2006 the band released their first self-titled debut album under
Galaxy Records Philippines.
2009 Jeck Pilpil & PeacePipe released their second album entitled
"Mabuhay Revolution"
Jeck Pilpil & PeacePipe just recently played in Singapore Reggae Festival
last Nov. 28, 2009 at Pasir Ris D Tent and will be going to Taiwan on
April for the Island Jam Party.
"Mabuhay Revolution" is included in the "Best of 2009" for the show
"Positve Vibrations" at KDHX.FM Radio Station in USA.
playlist & online stream of the program through this link
http://www.kdhx.org/index.php?option=com_kdhxradio&task=playlist&d...othis=latest&show=Positive+Vibrations&Itemid=268
Zim Carib Radio reviewed and played the whole album "Mabuhay
Revolution" last Dec. 12, 2009
www.zimcaribradio.com
ABBY ASISTIO @ the 5th Backdoor Ventures ARTS & MUSIC FESTIVAL
Multi-talented R&B singer-songwriter, Abby Assisttio, joins the roster of artists at the 5th Backdoor Ventures Arts & Music Festival!
Abby is a regular performer at venues around the metro and various events. She has graced the stages of Mio Fights Cancer Concert at Music Museum, Sitti Live! at Bagaberde, Roxas; Rivermaya Concert in Narvacan, Ilocos Sur; Ploning Thanksgiving Dinner at Dolce Super Club; Guess Jeans Sales Convention; Minute Maid Pulpy Orange Product Launch; Samsung Hitstop Launch. A talented songwriter, Abby has over 40 original compositions.
You can catch her monthly bar gigs at Magnet Café, Route 196, Conspiracy Garden Café, Saguijo Bar & Café, 6Underground.
She also hosted Say Wuht?!?! On MTV; Pinoy Airsofter on FlipTV; Washappenin’ on FlipTV; and hosts various corporate events as well. Some of these include Samsung Mobile Nation Mall Tour and Concerts; Samsung Live Loud Concert in Baguio City; Winston’s W Records Wednesdays at Jill’s, Fort Strip; Music & Magic Tuesdays at Jill’s, Fort Strip; and the Ilocandia Singing Idol in Ilocos Sur.
Get to know her more and her music, catch her live at the 5th Backdoor Ventures Arts & Music Festival. Feb 5-7, 2010 at the Megatrade Hall 2, SM Megamall B.
Abby is a regular performer at venues around the metro and various events. She has graced the stages of Mio Fights Cancer Concert at Music Museum, Sitti Live! at Bagaberde, Roxas; Rivermaya Concert in Narvacan, Ilocos Sur; Ploning Thanksgiving Dinner at Dolce Super Club; Guess Jeans Sales Convention; Minute Maid Pulpy Orange Product Launch; Samsung Hitstop Launch. A talented songwriter, Abby has over 40 original compositions.
You can catch her monthly bar gigs at Magnet Café, Route 196, Conspiracy Garden Café, Saguijo Bar & Café, 6Underground.
She also hosted Say Wuht?!?! On MTV; Pinoy Airsofter on FlipTV; Washappenin’ on FlipTV; and hosts various corporate events as well. Some of these include Samsung Mobile Nation Mall Tour and Concerts; Samsung Live Loud Concert in Baguio City; Winston’s W Records Wednesdays at Jill’s, Fort Strip; Music & Magic Tuesdays at Jill’s, Fort Strip; and the Ilocandia Singing Idol in Ilocos Sur.
Get to know her more and her music, catch her live at the 5th Backdoor Ventures Arts & Music Festival. Feb 5-7, 2010 at the Megatrade Hall 2, SM Megamall B.
SYALAM @ the 5th Backdoor Ventures ARTS & MUSIC FESTIVAL
Given the eternal Afro/Latin bias of Local and Western ears, Asian music, particularly Philippine music seems to be the 'final frontier' of world music. Exceptional East/West fusionist SYALAM is the latest band to challenge this state of affairs. What started off as a side project band for most of its members in 2006, led them to a musical journey where everything was made possible through the help of some good friends in the industry, SYALAM was able to self produce and release their debut album “TAYO†under Mah Music Records in June 13, 2008.
TAYO is a Malay influenced album that showcases the band’s pride and distinctive approach in creating their very own type of music. In this album, SYALAM provides a broad range of musicality, ranging from reggae to blues, folk dance to dub, and jazz to tribal ethnic. TAYO, which consists of 10 original tracks, summons the beauty and the struggle of modern Filipino culture, invokes their listeners to spread “the word†and be a part of a positive cultural, environmental and social movement/transformation.
TAYO is a Malay influenced album that showcases the band’s pride and distinctive approach in creating their very own type of music. In this album, SYALAM provides a broad range of musicality, ranging from reggae to blues, folk dance to dub, and jazz to tribal ethnic. TAYO, which consists of 10 original tracks, summons the beauty and the struggle of modern Filipino culture, invokes their listeners to spread “the word†and be a part of a positive cultural, environmental and social movement/transformation.
THE LATE ISABEL @ the 5th Backdoor Ventures ARTS & MUSIC FESTIVAL
In the dreams of those she haunts, Isabel is always leaving. She has been sighted barefoot and pale, by various sleepers, at the doorstep of a familiar downtown cinema, the gates of a university building at closing time, departing a smoky club and exiting a convenience store at twilight. She vanishes when she steps to the curb, just as the high beams of an approaching car freeze her. Those who do wake, often wake in sweat.
“I was playing with a visual concept, a series of posters showing this half-familiar woman always in transit,†says Allan Hernandez, explaining the basis of the name and the band’s wraith-like, female persona.
The music of THE LATE ISABEL is the origin, product and nature of this haunting rolled into a single koan. It is music that makes of funerals and wakes a celebration -- a time to sing and a time to dance as tears run down your face. The character of Isabel, the vignettes and scenes of her life (and probably her demise) live on in the band’s songs. Aural creations that crest and break like a wave of grief to wash over both viscera and brain with the force of psychedelia, ambient, shoegazer, dark wave and goth.
The band started in 1998 as MADELINE USHER then renamed itself OLD WORLD CHARM in 1999, shedding and gaining a few members along the way. Earlier still it was a death metal outfit named THANATOPSY, and so on to THE LATE ISABEL DELGADO, now remembered even more easily -- and fondly -- without her surname. The band is currently composed of WAWI NAVARROZA (vocals), ALLAN HERNADEZ (guitars), JP AGCAOILI (drums), and ROVAL BACALE (bass), all veterans of the Manila goth-punk scene.
Coming of age in the post-punk era, the quartet grew up with a love for bands that eschewed the freewheeling go-go of ‘80s mainstream music. With this came the intuitive understanding that music had to function on all to achieve a holistic effect.
“Art is not an isolated experience. It is deeply personal and deeply communal. I believe that the visual aspect of the band needs to be included in the package,†relates JP Agcaoili.
“If I could put music, painting, poetry, literature all in one package, then I would love to do that,†agrees Wawi Navarroza.
Their debut album, DOLL’S HEAD, is a collection of eight exceptional tracks composed of equal parts lament, anguish, awe and snapshots of everyday tragedies. From the sinuous and seductive chant of the title track, the hungry eloquence of “Fingers Around the Wineglass,†the demented agitation of “Follow (The Mad March),†to the exploration of the urban abyss that is “Midnight City,†the record is indeed the culmination of two years’ labor in the subculture fringe.
Meanwhile, their live performance has been praised by local media as a “tour through the dark corners of . . .dreams,†adding that, “to watch The Late Isabel live is to be intrigued. . .and entranced.â€
DOLL’S HEAD crystallizes the quartet’s skill for leading the listener to precision rapture via a swirling palette of textures and sonic landscapes that bring to fore the monsters, beautiful or otherwise, lurking in the depths. Proof that being haunted can be a ravishing, rhapsodic experience.
(From an article by Karl S. de Mesa)
Why this name?
Isabel is a person. Isabel is a personification. She embodies the textures, feelings, visions and other sensory manifestations of the experience one gets from listening to the music. But Isabel is also everywhere. Isabel is a legend. And her story is ongoing, fed by the consciousness of The Late Isabel's listeners, other followers and every other person with the capability to think and feel. For an answer to "who is Isabel" try to check out http://www.geocities.com/thelateisabel/myisabel.htm
Do you play live?
Yes. Mostly around Metro Manila's rock music bars and clubs (Mayric's, Freedom Bar, Millennia, etc), but sometimes also in venues outside of the Philippine metropolitan capital. Also in live rock concerts and events periodically held in Manila.
How, do you think, does the internet (or mp3) change the music industry?
It's a whole new medium for music, the same yet utterly different. It will change the way music is made, from concept to marketing, probably in much the same way, if not more so, than the way music videos have changed pop music culture.
Would you sign a record contract with a major label?
I guess the members of The Late Isabel are not very conscious of that as an issue. We want to make our music, and probably get it out into the ether as well, with a life of its own. Doing it indie or with a major label is not something we consciously ponder on.
Your influences?
The band has always been partial to Siouxsie and the Banshees, as well as other late-seventies and eighties acts like The Cure, Sisters of Mercy, Bauhaus, Joy Division, etc. Digging deeper, we looked to artists who in turn influenced these acts, and so now for covers we do our own twists on songs by David Bowie, Velvet Underground, The Doors, or even off-track renditions of unexpected songs like "My Favourite Things" (from Sound of Music) or "Diamonds are Forever" (from James Bond). The band members all have eclectic tastes and we try to feed that musical knowledge into a sound that we like to think is distinctly The Late Isabel - glassy guitars, insistent basslines, primitive beats... It may be worth to note that there is a conscious absence of keyboards, which we like to take as a challenge and distinct feature in our coming up with a heavy atmosphere and ambience in our sound coming out from just percussions, guitars, bass and vocals.
Favorite spot?
The inside
Equipment used:
Basic drumset, bass and electric guitar. Some percs thrown in.
Anything else...?
http://www.geocities.com/thelateisabel/default.htm
“I was playing with a visual concept, a series of posters showing this half-familiar woman always in transit,†says Allan Hernandez, explaining the basis of the name and the band’s wraith-like, female persona.
The music of THE LATE ISABEL is the origin, product and nature of this haunting rolled into a single koan. It is music that makes of funerals and wakes a celebration -- a time to sing and a time to dance as tears run down your face. The character of Isabel, the vignettes and scenes of her life (and probably her demise) live on in the band’s songs. Aural creations that crest and break like a wave of grief to wash over both viscera and brain with the force of psychedelia, ambient, shoegazer, dark wave and goth.
The band started in 1998 as MADELINE USHER then renamed itself OLD WORLD CHARM in 1999, shedding and gaining a few members along the way. Earlier still it was a death metal outfit named THANATOPSY, and so on to THE LATE ISABEL DELGADO, now remembered even more easily -- and fondly -- without her surname. The band is currently composed of WAWI NAVARROZA (vocals), ALLAN HERNADEZ (guitars), JP AGCAOILI (drums), and ROVAL BACALE (bass), all veterans of the Manila goth-punk scene.
Coming of age in the post-punk era, the quartet grew up with a love for bands that eschewed the freewheeling go-go of ‘80s mainstream music. With this came the intuitive understanding that music had to function on all to achieve a holistic effect.
“Art is not an isolated experience. It is deeply personal and deeply communal. I believe that the visual aspect of the band needs to be included in the package,†relates JP Agcaoili.
“If I could put music, painting, poetry, literature all in one package, then I would love to do that,†agrees Wawi Navarroza.
Their debut album, DOLL’S HEAD, is a collection of eight exceptional tracks composed of equal parts lament, anguish, awe and snapshots of everyday tragedies. From the sinuous and seductive chant of the title track, the hungry eloquence of “Fingers Around the Wineglass,†the demented agitation of “Follow (The Mad March),†to the exploration of the urban abyss that is “Midnight City,†the record is indeed the culmination of two years’ labor in the subculture fringe.
Meanwhile, their live performance has been praised by local media as a “tour through the dark corners of . . .dreams,†adding that, “to watch The Late Isabel live is to be intrigued. . .and entranced.â€
DOLL’S HEAD crystallizes the quartet’s skill for leading the listener to precision rapture via a swirling palette of textures and sonic landscapes that bring to fore the monsters, beautiful or otherwise, lurking in the depths. Proof that being haunted can be a ravishing, rhapsodic experience.
(From an article by Karl S. de Mesa)
Why this name?
Isabel is a person. Isabel is a personification. She embodies the textures, feelings, visions and other sensory manifestations of the experience one gets from listening to the music. But Isabel is also everywhere. Isabel is a legend. And her story is ongoing, fed by the consciousness of The Late Isabel's listeners, other followers and every other person with the capability to think and feel. For an answer to "who is Isabel" try to check out http://www.geocities.com/thelateisabel/myisabel.htm
Do you play live?
Yes. Mostly around Metro Manila's rock music bars and clubs (Mayric's, Freedom Bar, Millennia, etc), but sometimes also in venues outside of the Philippine metropolitan capital. Also in live rock concerts and events periodically held in Manila.
How, do you think, does the internet (or mp3) change the music industry?
It's a whole new medium for music, the same yet utterly different. It will change the way music is made, from concept to marketing, probably in much the same way, if not more so, than the way music videos have changed pop music culture.
Would you sign a record contract with a major label?
I guess the members of The Late Isabel are not very conscious of that as an issue. We want to make our music, and probably get it out into the ether as well, with a life of its own. Doing it indie or with a major label is not something we consciously ponder on.
Your influences?
The band has always been partial to Siouxsie and the Banshees, as well as other late-seventies and eighties acts like The Cure, Sisters of Mercy, Bauhaus, Joy Division, etc. Digging deeper, we looked to artists who in turn influenced these acts, and so now for covers we do our own twists on songs by David Bowie, Velvet Underground, The Doors, or even off-track renditions of unexpected songs like "My Favourite Things" (from Sound of Music) or "Diamonds are Forever" (from James Bond). The band members all have eclectic tastes and we try to feed that musical knowledge into a sound that we like to think is distinctly The Late Isabel - glassy guitars, insistent basslines, primitive beats... It may be worth to note that there is a conscious absence of keyboards, which we like to take as a challenge and distinct feature in our coming up with a heavy atmosphere and ambience in our sound coming out from just percussions, guitars, bass and vocals.
Favorite spot?
The inside
Equipment used:
Basic drumset, bass and electric guitar. Some percs thrown in.
Anything else...?
http://www.geocities.com/thelateisabel/default.htm
THE CHONGKEYS @ the 5th Backdoor Ventures ARTS & MUSIC FESTIVAL
THE CHONGKEYS A band with mix genre, through our music of rock alternative, reggae with a little bit of ,funk, rap, dub and few surprises that are recepies for a whole lot of fun into a good sound trip. THE CHONGKEYS was formed in 2003 and today still consist of the four members, namely BENJIE P. ESTANISLAO (voice), JOHAN S. LUGTU (guitar/voice) PEPITO TRINIDAD (bass) and MARK MARQUEZ (drums). We started in a simple jamming session place in Marikina called “Groove Shop†(an indie skate store). Benjie who was one of the owners of Groove Shop; Johan was a vocalist of a hardcore CAKEWALK band, Pepito from BEEWINGS band and Mark a former drummer of CHERRY CORNFLAKES who replaced the former drummer Judas of ILL ADVICE. After several jamming sessions and being together we decided to make more songs and get serious about it. Few months after, we had EP launched, 10 tracks of our original songs at the rock and roll Purple Haze Bar. THE CHONGKEYS had the honor of playing in many venues in metro manila (Bars: Mayrics, Xymaca, Club Dreeds, Purple Haze Bar, Freedom Bar, Dayo Bar, Kolumn Bar, Magnet Bar, Ride and Roll Diners, 9Mile bar, 70’s Bistro, One Love Bar, 6 Underground, Wills Attic and more). Also played in some parties like birthday’s, company’s christmas parties and our out of town gigs with some of the top performers in the Philippine Music Industry. We also played in most of the big events within Metro Manila like Pulp Summer Slam, Fete de la Musique Malate, Rakista 7, 9 & 10, Skateboard Demo and Competition, Tabak, Urge Magazine Tour, UP Fair, Dutdutan Festival 2008, Give A Damn for Rizal 2008, The First Clark Rock Festival, Arts Music Festival (I,II,III and IV) and several guesting and judging for Battle of the Bands. Had the opportunities to play on TV Sows like Breakfast Show with Studio23 and Jojo A of QTV Channel and Live Radio Interviews with NU107 FM, Jam88.3 live session and YesFM Boracay. We believed, supported, promoted and respected different genre. Because of our respect and faith in music we had given a chance to be managed by Ann Angala-Shy (a former band manager of Eraserheads and POT). During her guidance and supervision we
promoted one of our songs title "DIKSYONARYO" and luckily had been chosen to be one of the tracks for Doobie Nights Album produced by Jam 88.3 under Galaxy Records, also this song has been placed in your regular videoke selection around metro and “TIGNAN MO†(one of our song) was nominated Song of the Year in 2007 NU107 Rock Awards. THE CHONGKEYS had earned so much respect from both underground and mainstream scenes. Known band artists like Rivermaya, Kamikaze and Radio Active Sago Project just to name a few gave us their appreciation to our music. In August 2008 Ann Angala-Shy appointed our Road Manager Ann Constantino (a member of AMA Sound of Nativity Music Society and production manager of UProductions Manila) to take her position as a Band manager. On the other hand, Ann Angala-Shy is now our band consultant. February 4, 2009 we had launched our first music video for “DIKSYONARYO†.
promoted one of our songs title "DIKSYONARYO" and luckily had been chosen to be one of the tracks for Doobie Nights Album produced by Jam 88.3 under Galaxy Records, also this song has been placed in your regular videoke selection around metro and “TIGNAN MO†(one of our song) was nominated Song of the Year in 2007 NU107 Rock Awards. THE CHONGKEYS had earned so much respect from both underground and mainstream scenes. Known band artists like Rivermaya, Kamikaze and Radio Active Sago Project just to name a few gave us their appreciation to our music. In August 2008 Ann Angala-Shy appointed our Road Manager Ann Constantino (a member of AMA Sound of Nativity Music Society and production manager of UProductions Manila) to take her position as a Band manager. On the other hand, Ann Angala-Shy is now our band consultant. February 4, 2009 we had launched our first music video for “DIKSYONARYO†.
GLASSPOINT @ the 5th Backdoor Ventures ARTS & MUSIC FESTIVAL
As the first Ilocano rock band to take a crack at the Philippine music mainstream industry, GLASSPOINT (dubbed as the Northern pride) never makes an effort to sound different. They simply make songs and play songs they enjoy.
Anthemic in lyrics, accompanied by melodic arrangements and exceptional instrumentation, Glasspoint songs are all about the very essence of life – humanity, heart and soul and everything that revolves around it.
Bands influences includes Oasis, Beatles, Smashing Pumpkins, Coldplay, U2 etc.
Glasspoint made the very first Ilocano rock song entitled “Pagayam†; an Ilocano – rock song, which was an unheard practice in the land of the North. It was an experiment that proved the bands’ versatility and talent. Pagayam is now hitting the local radio stations in the North, Metro Manila and Honolulu, Hawaii.
Due to release their first album recorded at Tracks Recording Studio with Angee Rozul as producer and sound engineer, Glasspoint is sure to amaze everyone with the diversity of their music and the brilliance of the lyrics and instrumentation, which is the mark of every Glasspoint song!
Anthemic in lyrics, accompanied by melodic arrangements and exceptional instrumentation, Glasspoint songs are all about the very essence of life – humanity, heart and soul and everything that revolves around it.
Bands influences includes Oasis, Beatles, Smashing Pumpkins, Coldplay, U2 etc.
Glasspoint made the very first Ilocano rock song entitled “Pagayam†; an Ilocano – rock song, which was an unheard practice in the land of the North. It was an experiment that proved the bands’ versatility and talent. Pagayam is now hitting the local radio stations in the North, Metro Manila and Honolulu, Hawaii.
Due to release their first album recorded at Tracks Recording Studio with Angee Rozul as producer and sound engineer, Glasspoint is sure to amaze everyone with the diversity of their music and the brilliance of the lyrics and instrumentation, which is the mark of every Glasspoint song!
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